The Graey Art Collective: Erin Pan

The Graey is an interdisciplinary, Vancouver-based youth artist collective at Satellite Gallery. Together, they travel the in-betweens and grey areas of the city’s diverse community of artists, trying to piece together their own voices. The collective responds to the artistic and cultural pulse of the city through public art projects, art interventions, and individual art explorations. Through the wide-ranging experiences that have shaped each individual member, they come together as a collective not only to make sense of it all but to engage in a conversation with their city, its art, and its public.

Recently, the Graey has exhibited a public art piece in conjunction with Canada Line, entitled Tight City (2014). This photographic installation explores sustainable living conditions under economic pressure from the rising real-estate. Posing as urban residents, members of the collective play with illusion to stage a high-density living space that appears to fit inside a Canada Line exit shelter. The Tight City residents are positioned in reference to Edouard Manet’s painting, Le Déjeuner sur l’herbe (1863). Just as Edouard Manet was interested in depicting the economic and social transitions that resulted as 19th century France moved from agrarian to urban centres of production, Tight City points to the increasingly upscale movement in Vancouver real estate due to globalization.
Other past projects include a series of collaborative zines, a pop-up photo booth intervention, and an experimental film entitled Lost in a Moment.
 ==
Lotusland will be posting the work of one artist per day from The Graey.
ERIN PAN

My interest in experimental photography is informed by my approach to design and composition. While working primarily in digital photography, I am also intrigued by the processes of light in analogue image production.

I am not in school. I am a workaholic, currently working full time as a post office clerk and as a casino dealer, plus part time as an office cleaner. This series of photographs relate to searching for what I desire in life, but never getting close to that ideal lifestyle. “Self” (the first image set) represents how irresolute I feel with all the possibilities out there, and how trying to find the right one is what prevents me from moving on. “Line” & “Path” (the second and third image sets, respectively) both represent things that have given me small amounts of clarity about my desires.

Self

Line

Path

Related Posts


Warning: count(): Parameter must be an array or an object that implements Countable in /home/lotulag8/public_html/wp-includes/class-wp-comment-query.php on line 405

Leave a Reply

Your email address will not be published. Required fields are marked *

Recent Posts

Entangled: More Than Meets The Eye

The Vancouver Art Gallery’s current exhibition Entangled: Two Views on Contemporary Canadian Painting explores two concurrent approaches to understanding the...

Review: Slowdive

In 1995, Slowdive released their third album, Pygmalion. Sparse, ambient, and even less commercial than the band’s previous work, the...

The Fight Against Displacement: An Interview With Chinatown Concern Group

Founded in 2013, the Chinatown Concern Group has been working with residents, many of whom are elderly and face language...

Objects in Motion: Seeing Northwest Coast Art In A Different Light

Kaayd hllngaay skaayxan (spruce-root basket) with Wasgo (Sea Wolf) imagery, c. 1890-1920; Woven by Skidegate Haida artist and painted by...

Review: Waxahatchee’s Latest Album Has Very Little ‘Storm’ to Speak Of

Katie Crutchfield, otherwise known as Waxahatchee, is a veteran of brooding, introspective lyricism. It’s her plaintive, emotion laid bare that garnered...

Cinerama

In my art school days my tutor, Pete Bowcott (who claimed to be the lovechild of performance art pioneer Joseph...

Seu Jorge presents: The Life Aquatic – A Tribute to David Bowie

A bespectacled man walks onto the stage in an opulent theatre. Standing in front of the rapt audience, he introduces...

Her Pity Party (But Also Mine)

When we were sixteen, Lorde and I existed in worlds too small for our souls. We were restless. We wasted...