Entangled: More Than Meets The Eye
The Vancouver Art Gallery’s current exhibition Entangled: Two Views on Contemporary Canadian Painting explores two concurrent approaches to understanding the concept-heavy painting practices that emerged...
Latest Posts
Review: Slowdive
In 1995, Slowdive released their third album, Pygmalion. Sparse, ambient, and even less commercial than the band’s previous work, the...
The Fight Against Displacement: An Interview With Chinatown Concern Group
Founded in 2013, the Chinatown Concern Group has been working with residents, many of whom are elderly and face language...
Objects in Motion: Seeing Northwest Coast Art In A Different Light
Kaayd hllngaay skaayxan (spruce-root basket) with Wasgo (Sea Wolf) imagery, c. 1890-1920; Woven by Skidegate Haida artist and painted by Neeslant, John Cross (1867 –...
Review: Waxahatchee’s Latest Album Has Very Little ‘Storm’ to Speak Of
Katie Crutchfield, otherwise known as Waxahatchee, is a veteran of brooding, introspective lyricism. It’s her plaintive, emotion laid bare that garnered...
Cinerama
In my art school days my tutor, Pete Bowcott (who claimed to be the lovechild of performance art pioneer Joseph...
Seu Jorge presents: The Life Aquatic – A Tribute to David Bowie
A bespectacled man walks onto the stage in an opulent theatre. Standing in front of the rapt audience, he introduces the evening’s entertainment, a “great...
Her Pity Party (But Also Mine)
When we were sixteen, Lorde and I existed in worlds too small for our souls. We were restless. We wasted...
Life, Life: async and the Legacy of Ryuichi Sakamoto
“Because we don't know when we will die, we get to think of life as an inexhaustible well. Yet everything...
Goodbye to the Media Club
On Saturday July 17th, the Media Club will be hosting one of its final events before it is converted into...
